Ancient myths try to explain the various kinds of sexual relationships between men and women

Phaedrus explains in a fable why homoeroticisme or homosexuality exists, both male and female; Ovid also does it with his account of Iphis and Ianthe. Plato also did it in his dialogue The Banquet, as I said in this blog. Even without understanding it very well, they tried to explain transsexuality and transgender.

Ovid in the Prado Museum-Madrid (Ovid V)

The most famous Latin poets of the three of the time of Augustus, Virgil, Horace and Ovid, undoubtedly the most influential of them all in Western culture has been Ovid, although not the best valued by literary criticism. The influence of Ovid has been felt since antiquity itself, during the Middle Ages and the Renaissance to the present day in all arts, in literature of course, but also especially in painting and even in music. This is a subject very attended by the scholars and to which perhaps I should on my part dedicate some ample comment at some time. Something of this I have said in some of the articles that I have published in the thread of the celebration of the bimillenary of the poet’s death.

Was the Ovid’s exile real or mere fiction? (Ovid IV)

Was the exile that fueled part of Ovid’s poetry real or was it only a poetic fiction with which the creative poet has deceived us two thousand years?

The question may seem a modern exaggeration, characteristic of scholars who seek notoriety at any price. But it is not so and it is worthwhile to devote some time to this topic that was already raised at the beginning of the 20th century, and to which since then serious reflections and studies have been dedicated.

Ovid among the barbarians of the Euxine Pontus. (Ovid III)

In the eighth year of our era, the cheerful and worldly Latin poet Ovid was in Elba island in the company of his friend Maximus whose full name was Marcus Aurelius Cotta Máximus, son of Marcus Valerius Messala Corvinus, the protector of some literates. There Ovid received from the emperor Augustus a letter with the charge of serious crimes and the order to appear quickly in Rome, where he received the immediate condemnation of exile to the frontiers of the Empire.

Bimillenary of Ovid’s death, Autobiography (Ovide II)

The Latin poet Publius Ovidius Naso, desperate and sick, died in exile in 17 AD in Tomis, the present Constanza, in Romania, by the Black Sea, then called Pontus Euxinus, the Euxine Sea (favorable sea). He was born on March 20, 43 BC, the year after the assassination of Julius Caesar, in the city of Sulmona, in the center of Italy, east of Rome and about 130 km from the Urbe, the City, from an old and rich family; He was 60 years old when he died, much less than his father who died at 90 years old.

Calligramme, technopaegnia τεχνοπαíγνια, Carmina figurata, Pattern Poetry, figure poem, visual Poetry, concrete Poetry, creative writing .

We name “calligramme” or pattern poem or visual poem it that with the arrangement of its verses and words written in the text draws the shape that the content of the poem refers to extend the emotional content. It is therefore a beautiful visual poem; that’s what “calligramme” means.

Wine, sex and baths ruin our bodies, but… (Balnea vina Venus corrumpunt corpora, sed…)

According to the moralist scheme of Roman historians and educators, the ancient inhabitants of Rome were austere farmers, who then became addicted to the pleasures and they were corrupted influenced by Greek and Asian luxury after the Punic Wars and the conquest of Greece and East.

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